2020 / Latex house paint on wood board / 20’’ x 30’’
Circle Brush
2020 / Latex house paint on wood board / 20’’ x 24’’
Untitled
2019 / Latex house paint and acrylic on wood board / 20” x 24”
Crosshatch
2020 / Latex house paint on wood board / 20’’ x 30’’
Lay
2019 / Latex house paint on wood board / 11’’ x 14’’
UNTITLED
2022 / Latex house paint on wood board / 12’’ x 12’’
Untitled
2019 / Latex house paint on plywood / 20’’ x 24’’
Oxbow
In The Great green room
2020 / Latex house paint on wood board / 20’’ x 24’’
Unmade #1
2019 / Screen print on rag paper / 27’’ x 40’’
Unmade #2
2019 / Screen print on rag paper / 27’’ x 40’’
Unmade #3
2019 / Screen print on rag paper / 27’’ x 40’’
2022 / Latex house paint on wood board / 18’’ x 18’’
Good Night
2022 / Latex house paint on wood board / 18’’ x 18’’
Good Morning
2019 / Latex house paint on wood board / 20’’ x 24’’
Untitled
2019 / Latex house paint on wood board / 20’’ x 24’’
The End
STACK
2022 / Latex house paint on plywood / 6’’ x 8’’
FENCE
2020 / Latex house paint and spray paint on canvas / 4’ x 5’
UNTITLED
2019 / Latex house paint on wood board / 11’’ x 14’’
2019 / Oil on canvas / 24’’ x 36’’
Untitled
Hem
2018 / Latex house paint on wood board / 16’’ x 20’’
2022 / Latex house paint on wood board / 16’’ x 20’’
Lattice
Glitch Paintings 2022
These posters were completed during my Honours year of my BFA Program at the University of Manitoba. Before the introduction of technology to my work, my paintings show off the materiality of the paint as well as the surface they are on. Once scanned in high definition, these qualities are amplified due to the flatness of the new image. However, they now have a sort of intentionality to them once given space on a digital screen. I take these images to Photoshop to rudimentarily edit them with naive mark-making and tools like the Spot Heal Brush Tool, which makes the program anticipate what I am trying to “fix”, often introducing colours that were never there, and amplifying the texture.
Toby Glitch
JS Glitch
Recently Deleted Photos
These flags were completed during my Honours year of my BFA Program at the University of Manitoba. This body of work focused on legitimizing mistakes that are typically either edited out or avoided. Such “mistakes” include moiré lines, over-saturation, pixelation, and blurriness. I found forgettable photos that I had taken in the past and digitally introduced these characteristics, and then printed them on poly-silk, which flows in a very synthetic and almost digital way; when I had planned how to present these pieces, I made mockups in a program that simulated flowing fabric and behaved very similar to the material that I printed the images on. After translating these images from digital to physical, the mistakes became features of the work.
Purpl
Yello
2019 / Latex house paint on wood board / 16” x 20”
Grace #1
2019 / Latex house paint on wood board / 16’’ x 20’’
Grace #2
2019 / Latex house paint on wood board / 40’’ x 40’’
Net
2020 / Latex house paint and oil pastel on canvas / 24’’ x 46’’
Super-imposition
2019 / Latex house paint on wood board / 20’’ x 24’’
Untitled
2019 / Latex house paint on wood board / 20’’ x 24’’
Untitled
Untitled
2018 / Latex house paint on wood board / 16’’ x 20’’
Untitled
2018 / Latex house paint on wood board / 16’’ x 20’’
UNTItled
2018 / Latex house paint on wood board / 16’’ x 20’’
First
2018 / Gouache on rag paper / 16’’ x 20’’
False Alarm
2018 / Gouache on rag paper / 16’’ x 20’’
Hazard
2018 / Gouache on rag paper / 16’’ x 20’’
Laundry
2018 / Gouache on rag paper / 16’’ x 20’’
2020 / Latex house paint on wood board / 24’’ x 36’’
Untitled
2019 / Oil on canvas / 36’’ x 40’’